![]() as I sit alone in my study, listening to this seminal recording once again. Nevertheless, its visceral power and openness to interpretation have yet to wane, for it has only grown with me. Of the significant body of Pärt’s works represented by ECM, this album came relatively late in my listening. One finds its power in every note, and through an allegiance so delicate it knows no other shelter than the human heart. Out of this nexus arose his signature “tintinnabuli” style, which finds its harmonic roots in the overtones of the struck bell. ![]() It is the silence of death, a reminder of our spiritual origins and of life’s fragility. According to biographer Paul Hillier, this silence has been the alpha and omega of his subsequent musical output. Disillusioned by the serialism with which his early works engaged, and which had earned him the red pen of Soviet censors, he fell into silence and personal reformation. ![]() ![]() He would later study with Heino Eller at Tallinn Conservatory, where he was characterized as one who “just seemed to shake his sleeves and notes would fall out.” The sixties found him at a critical juncture in his creative life. Paide Castle (photo by Liene Strautmane-Kaze)īorn in the small town of Paide, just outside of Tallinn, Pärt took his first musical steps at age seven and was already composing by his teens. Yet behind the iconicity, word-of-mouth marketing, and a few choice celebrity endorsements (not least among them, R.E.M.’s Michael Stipe), Pärt’s music remains as it is: reverence in sonic form. When it first appeared in 1984, hardly anyone outside the composer’s native Estonia could have known what to expect from this modest cover of muted pastel and block lettering, but Tabula rasa has since taken on a life of its own. To celebrate this milestone, ECM has rereleased its first New Series album in a special deluxe edition. On 11 September 2010, Arvo Pärt welcomed his 75th year. –Arvo Pärt (photo courtesy of The Sonic Spread) What is it, this one thing, and how do I find my way to it? Traces of this perfect thing appear in many guises-and everything that is unimportant falls away.” “The complex and many-faceted only confuses me, and I must search for unity. Recorded October 1983, Basel January 1984, Stuttgart February 1984, Berlin November 1977, BonnĮngineers: Heinz Wildhagen, Peter Laenger, Eberhard Sengpiel, and Dieter Frobeen ![]() Tabula rasa was the first record in the series and also brought wider recognition to Arvo Pärt.The 12 Cellists of the Berlin Philharmonic Orchestra This experience became a trigger for creating the ECM New Series in 1984. Manfred Eicher, the head of the record label ECM, has recalled the first time he heard Tabula rasa: driving in a car, without knowing the name of the composer or the title of the piece. He has also admitted that this piece changed his life. Violinist Gidon Kremer has described Tabula rasa as a declaration of silence, a manifesto of concentrating on important things. This composition also became a turning point in Arvo Pärt’s career, introducing the expressive possibilities of the tintinnabuli style for the first time in a large-scale musical composition. The central work in Pärt’s instrumental music, the double concerto Tabula rasa has become one of the cult pieces in the music world and has prompted many composers and musicians, as well as concert audiences, to listen to and understand music in a completely new way. Arvo Pärt "Tabula Rasa, Collage, Symphony No 1, Pro et Contra" (2012) ![]()
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![]() “Shakespeare’s Life” profited by the careful reading given it by S. The “Reading Shakespeare’s Language” sections, for example, could not have been written had not Arthur King, of Brigham Young University, and Randal Robinson, author of Unlocking Shakespeare’s Language, led the way in untangling Shakespearean language puzzles and shared their insights and methodologies generously with us. We also include a section called “Reading Shakespeare’s Language,” in which we try to help readers learn to “break the code” of Elizabethan poetic language.įor each section of each volume, we are indebted to a host of generous experts and fellow scholars. We provide fresh accounts of the life of Shakespeare, of the publishing of his plays, and of the theaters in which his plays were performed, as well as an introduction to the text itself. We also follow the earlier edition in including illustrations-of objects, of clothing, of mythological figures-from books and manuscripts in the Folger Library collection. In response to this interest, we have based our edition on what we consider the best early printed version of a particular play (explaining our rationale in a section called “An Introduction to This Text”) and have marked our changes in the text-unobtrusively, we hope, but in such a way that the curious reader can be aware that a change has been made and can consult the “Textual Notes” to discover what appeared in the early printed version.Ĭurrent ways of looking at the plays are reflected in our brief introductions, in many of the commentary notes, in the annotated lists of “Further Reading,” and especially in each play’s “Modern Perspective,” an essay written by an outstanding scholar who brings to the reader his or her fresh assessment of the play in the light of today’s interests and concerns.Īs in the Folger Library General Reader’s Shakespeare, which this edition replaces, we include explanatory notes designed to help make Shakespeare’s language clearer to a modern reader, and we hyperlink notes to the lines that they explain. For example, modern readers, actors, and teachers have become interested in the differences between, on the one hand, the early forms in which Shakespeare’s plays were first published and, on the other hand, the forms in which editors through the centuries have presented them. This edition, while retaining many of the features that have always made the Folger Shakespeare so attractive to the general reader, at the same time reflects these current ways of thinking about Shakespeare. In recent years, ways of dealing with Shakespeare’s texts and with the interpretation of his plays have been undergoing significant change. Twelfth Night, or, What You Will Editors’ Preface An essay by a leading Shakespeare expert Excerpt ![]() Fresh images from the Folger Shakespeare Library’s vast holdings of rare books An essay by a leading Shakespeare scholar providing a modern perspective on the play An introduction to reading Shakespeare’s language ![]() A key to the play’s famous lines and phrases Full explanatory notes conveniently linked to the text of the play Freshly edited text based on the best early printed version of the play Hundreds of hypertext links for instant navigation The exact text of the printed book for easy cross-reference The authoritative edition of Twelfth Night from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: The play complicates, then wonderfully untangles, these relationships. Orsino sends her as his envoy to Olivia-only to have Olivia fall in love with the messenger. Viola disguises herself as a male page and enters Orsino’s service. Onto this scene arrive the twins Viola and Sebastian previously caught in a shipwreck, each thinks the other has drowned. Two other would-be suitors are her pretentious steward, Malvolio, and Sir Andrew Aguecheek. ![]() The Countess Olivia, a woman with her own household, attracts Duke Orsino. Named for the twelfth night after Christmas, the end of the Christmas season, Twelfth Night plays with love and power. ![]() William Shakespeare’s Twelfth Night, the incredible comedy about unrequited love, both hilarious and heartbreaking, now presented by the Folger Shakespeare Library with valuable new tools for educators and dynamic new covers. ![]() ![]() ![]() Include a screenshot (or copy the console log) when reporting. Setupĭownload latest pre-release from official YakYak Please report all BUGS related to 1.4.0-beta4 here Send a pull request, start a conversation with a new issue or participate on a ongoing conversation. Translations (new translation only need 117 strings).Interface (example: new themes only require choosing less than 20 colors).It is written in coffeescript (nodejs) based on hangupsjs using trifl on top of electron (atom shell). This is normal as yakyak is an unofficial client and it mimics the behaviour of an iOS device in order to establish a communication with Google Hangout APIs. Yakyak may show up as iOS Device and Google may alert you that "some iOS Device is trying to use your account". We're looking for volunteers to translate the app to new languages. ![]() English / Portuguese (Portugal and Brazil) / French / Spanish / Czech / German / Polish / Russian / Hebrew / Ukrainian / Slovenian / Korean / Tamil / Romanian / Swedish / Japanese / Italian / Danish / Bengali / Slovak / Turkish / Arabic / Telugu / Finnish /Breton / Simplified chinese.Focus/typing indications (mainly a design issue. ![]()
![]() ![]() How to use your emotions to your financial advantage, in. Through stories from navigating divorce to helping clients thrive through recessions, depression, eviction, layoffs and so much more, you will learn foundational practices such as. Now, building on the lessons she's taught millions as the founder of The Budget Mom, she shares a step by step plan for taking control back over your financial life-regardless of your level of income or your credit card balance. Now, she's not only living debt-free in her dream home, which she paid for in cash, but she has spread her teachings around the world and helped countless women envision better lives for themselves and their families. Once she reversed the negative thinking patterns pushing her toward decisions that didn't serve her values or goals, her financial plan wrote itself. Society's expectations for her are the problem. On the day she needed to pay for a McDonald's ice cream cone without her credit card, she had an epiphany- Money is not the problem. Worse, when her feelings began to exhaust her, she binge-shopped, reasoning that she'd feel better after a trip to the mall. She saw what other moms had-vacations, birthday parties, a house full of furniture-and felt ashamed that she and her son lived in a small apartment and ate dinner on the floor. YOU can take back control.**Īs a newly divorced single mom making $24,000 per year and facing down $77,000 in debt, Kumiko Love worried constantly about money. You don't have to stress about money anymore. ** Does fear and insecurity keep you from looking at your bank account? Is your financial anxiety holding you captive? Spending time with your kids, giving back to your family, and making unforgettable memories are all things that can be accomplished with a small budget.My Money My Way : Taking Back Control of Your Financial Life You can have options rather than having a set amount of money. You must define what success feels and looks like in your own life, and address the underlying issues that are causing your out-of-control spending. ![]() It’s about figuring out what you want from your money, and then using it to pursue those goals.īudgeting forces you to think about your finances in a different way because it requires you to decide what you want to accomplish with your money beyond simply paying the bills. I was in a constant panic about how my son was handling the new changes.īudgeting isn’t about money. ![]() I had stripped away everything my son had known: a backyard, his own bedroom, his toys, and the swing set. When I was divorced, I felt heart-clenching failure. We were constantly struggling to manage our money. ![]() We were completely clueless about our finances, and we had no clear purpose or bigger ambitions. Some couples fight about money, but my ex-husband and I didn’t talk about it at all. Insights from Chapter 13 Insights from Chapter 1 Insights on Kumiko Love's My Money My Way Contents #4 Budgeting forces you to think about your finances in a different way because it requires you to decide what you want to accomplish with your money beyond simply paying the bills. It’s about figuring out what you want from your money, and then using it to pursue those goals. I was in a constant panic about how my son was handling the new changes. I had stripped away everything my son had known: a backyard, his own bedroom, his toys, and the swing set. My Money My Way will give you the tools to align your emotional health with your financial healthto let go of deprivation and embrace desire. #2 When I was divorced, I felt heart-clenching failure. We were completely clueless about our finances, and we had no clear purpose or bigger ambitions. My Money My Way: Taking Back Control of Your Financial Life by Kumiko Love Write a review How customer reviews and ratings work Top positive review All positive reviews MICHELLE M. Please note: This is a companion version & not the original book.īook Preview: #1 Some couples fight about money, but my ex-husband and I didn’t talk about it at all. Paymaster is committed to respecting your privacy and to complying with applicable data protection and privacy laws. ![]() |
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